Suck a little, look a little
Suck a little, look a little

2003,  10' x 10' x 1', from Los Angeles Post Cool, San Jose Museum of Art, nylon, felt, Styrofoam, yarn, wood, fan breathing timer.

Bioavailability
Bioavailability

2003, 8' diameter, Nylon, plastic vinyl letters, fan, breathing timer, Los Angeles Post Cool. 

Breathing slowly in and out, rising and falling away from the wall,   ‘Bioavailability’ and ‘Suck a little, look a little’ address the sacrifices of motherhood and nursing and the struggle to find energy and time to work.

Bioavailability
Bioavailability

close up

Munchie Munchie
Munchie Munchie

2000, Diverseworks, Houston, Installation shot

The End is Overrated
The End is Overrated

1999, Survivialist, Southern Exposure, SF CA. 8' diameter, plastic table cloth, confetti, garbage bag, vinyl letters, fan, breathing timer.

I was invited to be in a millennium show.  The Party bag inflates and deflates VERY slowly at the same rate as my resting heart rate. The confetti gets stirred everytime the bag inflates.  Ho Hum--and so the ‘end of the world’ millennium was overrated and underwhelming. 

 

Nap
Nap

2000,  15' x 3', 2 fans, breathing timer, windsock, nylon, plastic

Nap
Nap

close up

Nap (also)
Nap (also)

1999.  from Tripindicular, Lemon Sky Projects, Los Angeles. 10' x 5' x 3',  fan, breathing timer, nylon, plastic, wood, felt.

Hyperventilating
Hyperventilating

2002, from FLeurs du Mal, Contemporary Arts Forum, Santa Barbara, CA.  5' x 3', Felt, plastic, batting, fan, breathing timer

 

Aspirations
Aspirations

1999. Guard Shack, Bergemot Station, Santa Monica, CA.  

I was invited to create a site specific piece for a project space at Bergemot Station in the Guard Shack at the entrance. I painted the interior yellow and hung pink and red fluorescent lights so that the inflating/deflating vessel would be illuminated at night.  The clear jellyfish like bag would slowly inflate and completely fill the space and then deflate. The banner poked fun of Bergemot and consumerism.  The double entendre of ‘Aspirations’ as breathing and ambitions was complemented by ‘As Is’ –or take me as I am. 

As Is
As Is

Vinyl Banner

Aspirations
Aspirations

Close-up, plastic inflating ball,  Yellow interior

Aspirations
Aspirations

close up 

Aspirations
Aspirations

close up

VOGUE
VOGUE

Vogue Magazine French Addition featured Aspirations in an ad.

Mandarina Duck Advertisement
Mandarina Duck Advertisement

2000. Vogue Magazine 

Suck a little, look a little
Bioavailability
Bioavailability
Munchie Munchie
The End is Overrated
Nap
Nap
Nap (also)
Hyperventilating
Aspirations
As Is
Aspirations
Aspirations
Aspirations
VOGUE
Mandarina Duck Advertisement
Suck a little, look a little

2003,  10' x 10' x 1', from Los Angeles Post Cool, San Jose Museum of Art, nylon, felt, Styrofoam, yarn, wood, fan breathing timer.

Bioavailability

2003, 8' diameter, Nylon, plastic vinyl letters, fan, breathing timer, Los Angeles Post Cool. 

Breathing slowly in and out, rising and falling away from the wall,   ‘Bioavailability’ and ‘Suck a little, look a little’ address the sacrifices of motherhood and nursing and the struggle to find energy and time to work.

Bioavailability

close up

Munchie Munchie

2000, Diverseworks, Houston, Installation shot

The End is Overrated

1999, Survivialist, Southern Exposure, SF CA. 8' diameter, plastic table cloth, confetti, garbage bag, vinyl letters, fan, breathing timer.

I was invited to be in a millennium show.  The Party bag inflates and deflates VERY slowly at the same rate as my resting heart rate. The confetti gets stirred everytime the bag inflates.  Ho Hum--and so the ‘end of the world’ millennium was overrated and underwhelming. 

 

Nap

2000,  15' x 3', 2 fans, breathing timer, windsock, nylon, plastic

Nap

close up

Nap (also)

1999.  from Tripindicular, Lemon Sky Projects, Los Angeles. 10' x 5' x 3',  fan, breathing timer, nylon, plastic, wood, felt.

Hyperventilating

2002, from FLeurs du Mal, Contemporary Arts Forum, Santa Barbara, CA.  5' x 3', Felt, plastic, batting, fan, breathing timer

 

Aspirations

1999. Guard Shack, Bergemot Station, Santa Monica, CA.  

I was invited to create a site specific piece for a project space at Bergemot Station in the Guard Shack at the entrance. I painted the interior yellow and hung pink and red fluorescent lights so that the inflating/deflating vessel would be illuminated at night.  The clear jellyfish like bag would slowly inflate and completely fill the space and then deflate. The banner poked fun of Bergemot and consumerism.  The double entendre of ‘Aspirations’ as breathing and ambitions was complemented by ‘As Is’ –or take me as I am. 

As Is

Vinyl Banner

Aspirations

Close-up, plastic inflating ball,  Yellow interior

Aspirations

close up 

Aspirations

close up

VOGUE

Vogue Magazine French Addition featured Aspirations in an ad.

Mandarina Duck Advertisement

2000. Vogue Magazine 

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